head bobbing with them, his body brittle in the cold night air,
encumbered by his formal robes. Impatiently he throws off the outer
layers, the top button of his tunic popping loose, and although only
the thinnest bit of silk shirt shields his body from the cold, he
does not mind, for he can see the young lady through the trees. She
is standing alone, the lantern at her feet, and casting creature shadows
behind her, her arms rising and falling, twisting into the approximation
of a crane, but no crane ever had her unhurried fleetness as she spins,
leaps, lands, flows, stops, begins again. The lake yawns wide behind
her, and she is sheltered from the breeze by a vertical slab of stone
against the crags which dates to generations before, the characters
for longevity carved into its surface.
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Her back is to him. This will not do. Opponents must be faced head-on,
without subterfuge. Back at the lake, a flute plays, and the song
seems to whip through the trees, reeking of lovely melancholy. She
turns, now she is looking straight at him, two pinpoints of light
in her eyes. Perhaps she cannot see him in the darkness, but he cannot
take a chance. With an outlaw cry - Prepare yourself! - he
attacks.
They will argue about what happens next for some time afterward. Her
interpretation: She was ready to counter the attack, primed to fell
him with a single strike, but the young man slipped on a particularly
treacherous out-cropping of rock, the accident proving to be a better
opening gambit than his own sloppy attempt, as it launched him at
her, sent the two of them
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