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This past May I found a review of Mark McGurl's new book, The Program
Era: Postwar Fiction and the Rise of Creative Writing, in a recent
issue of The New Criterion that so well reflected my experience of
creative writing programs and the writers that emerge from them~to
say nothing of writers workshops and writers groups and what might
be called the collectivization of writing~that I sent along a link
to it to a number of my literary colleagues.
The responses, especially one series that turned into a very long
thread of emails dashed off between more urgent tasks, proved so engaging,
for myself at least, that I thought it might prove of some use to
make them public. So, below, with some mostly minor |
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editing
and fixes, you will find most of the emails of that exchange,
leaving out only a few brief replies that were erased early on.
The principal emailers were the New York-based art critic and theorist
John Haber; composer, writer, and theorist Andrew Towne (San Diego);
China scholar and writer on technology (part American, part English;
now based in Hong Kong) Danyll Wills; and myself.
~Christopher Bernard
The Exchange
Hello my fellow writers and others concerned with the state of modern
language and letters,
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